About Lynne

Two things need to be said immediately.

One: as far as I know, I am not related to the infamous economy-disrupting prime minister often mentioned in the same breath as a notoriously bland salad ingredient.

Two: I am genuinely interested in punctuation – but, honestly, no more than many other people. My bestselling book on the subject, Eats, Shoots & Leaves, was financially a miracle in my life, but I had been enjoying my career before it happened; afterwards, I did my best to get back to normal.

What you will find on this website is an account of a working life spanning more than four decades. If there isn’t much about my personal life, that’s not because I’m hiding anything. Besides having a lovely niece, gorgeous dogs and excellent friends, I’m as solitary as an oyster, but it doesn’t bother me except perhaps at Christmas each year when, in A Christmas Carol, schoolboy Scrooge say that he likes the holidays because he can get more work done. It always makes me wistful. Is my agreement with him (“Yes! Exactly! Me too, Scroogey Boy!”) a bit too enthusiastic?

Biography

Below you will find what is basically a CV. Schools, university, and paid employment – which runs out in the early 1990s when I decided to ditch peace of mind for ever and become a full-time writer. The image on the right shows what a mess my office was at The Listener in Old Marylebone Road. It makes me feel a bit ill to look at it.

Image credit: Martin Slavin

Family

Born 1955


Petersham, Surrey

Education

Schools


The Petersham Russell Infants School

Petersham, Surrey

1960-63

The Orchard Junior School


1963-66

Kingston-upon-Thames, Surrey

Tiffin Girls’ Grammar School


1966-73

Petersham, Surrey

University

University College London


1974-77

BA Hons (First Class) English Language & Literature


Courtauld Institute

Graduate Diploma in Art History

2011-12

Employment

  • My first job after leaving school in 1973. In those days a “year out” usually meant character-building backpacking across Rajasthan, but I chose a stuffy academic library in Bloomsbury where I felt stupid (and overheated) all the time. Occasionally I have a reason to use this library and come across books still sporting the labels on their spines that my 18-year-old self wrote in my best handwriting and stuck on half a century ago…

  • After graduating from UCL, I had a year to fill before returning for a PHD, and answered an advertisement on the back page of The Listener for a secretarial job. The interview led to something else, when I was offered a six-month contract at Radio Times, sub-editing on the programme pages in a smoke-filled office in Marylebone High Street.

    In those days a sub-editor’s equipment included a glue-pen, a box of pins (for attaching galleys together), and a metal em-rule. One of my colleagues on the TV listings pages wore pastry cuffs to protect the long sleeves of her blouses. I took to this inky business at once, and the appeal of solitary study started to pall.

  • After six months at the Radio Times, I had just applied for a DES grant for my PhD when this job came up on the Times Higher Education Supplement. I interviewed for it and got it, but was confused about what to do, as I was due back at university in a few months. I went to see Karl Miller, who would have been my PhD supervisor at UCL, assuming he would urge me to take the academic path, but he advised me that if I wanted a career in literary journalism (which is what he’d had himself, of course), this was a great, and actually quite rare, opportunity. So I went for it.

    The name of the paper is nowadays THE, which I suppose takes less time to say, but probably needs supplementary explanation. But I suppose it couldn’t go on the way it was. Arthur Miller told me when I interviewed him for the THES that a paper with a name like “The Times Higher Education Supplement” would sink like a stone in the US.

    I have to admit that the nitty-gritty of higher education policy never interested me at all, but the books pages covered a huge range of subjects, so I learned a lot. Also, publishers misguidedly sent us all sorts of books unsuitable for academic review that I could sit and read at my desk, or just take home. I still come across books in my library with the review slip inside from Cambridge University Press in 1983, or whatever. Meanwhile I started writing on arts/books subjects for the TES and The Times. It really was very comfortable. I stayed eight years.

  • In 1986, Derwent May left The Listener for the Sunday Telegraph and there was a bit of a bunfight among young literary types for his job. I’m not sure why I won: perhaps because I loved The Listener and had read it for years.

    The offices were in the same building as Radio Times (35 Marylebone High Street – or MHS in BBC parlance), so in a way it was like going home. While I was there, we moved from old print technology to photo-composition, but that’s where we stalled. We never got as far as “new technology”. Sadly, the end was already in sight for The Listener when I left in 1990. It finally closed in 1991.

Awards & Recognitions

Awards

  • Awarded on leaving Tiffin Girls’ Grammar School in 1973. I was very surprised to win anything. I’d gone through school pretty anonymously, but I did start to come out of my shell in the sixth form.

    On my last day I was also awarded a “posture star”, which was hilarious, as my posture was (and remains) terrible. But the posture star (to be sewn onto one’s school jumper and worn with pride throughout one’s school career) was regarded as a high honour by the headmistress, so in a way it was the bigger triumph.

    There is a photo of me wearing my posture star on my forehead in the pre-1991 journalism scrapbook (couldn’t think where else to put it).

  • This was the English departmental prize at UCL. Henry Morley was a 19th-century critic, and his medal is very handsome.

  • This was awarded to me by the faculty of arts and humanities at UCL in 1977.

  • This was the University of London prize for English. I think it means I came top in the entire university, but have never dared to ask.

  • My first professional award, for my columns in the excellent monthly magazine Woman’s Journal. A joyous occasion.

  • My first Constable Twitten novel A Shot in the Dark won this lovely award at CrimeFest in Bristol.

  • This is the big one, awarded for Eats, Shoots & Leaves. It is in the form of a giant nib (the awards are affectionately called the Nibbies). The awards ceremony were shown on TV with Richard and Judy compering, and everyone asked me the same question afterwards: “Why on earth were you barefoot?” (Answer: I hated my pointy shoes and was afraid I’d fall over.)

Honours

  • An emotional honour for me, to be made a fellow of my old college, at the same time as such literary luminaries as A.S. Byatt and John Sutherland, both of whom had taught me back in the 1970s.

  • A lovely ceremony, with my mum in attendance. I was very proud of her for making such an effort to dress up and so on. The Mayor of Brighton was very attentive to her over lunch.

  • A huge honour to be made a fellow of the Royal Society. New fellows in our year signed our names using either a pen that had belonged to Byron or a quill that had belonged to Dickens. I opted for the quill and made a mess of it, so future RSL historians will probably notate my entry as “Illegible”.

  • Another joyful ceremony, presided over by Baroness Boothroyd, who asked the graduates about themselves and announced to the audience, “It took this woman fifteen years to get this degree!” and “This man is 90 years old!” A moving celebration of superhuman academic effort.

  • A bit of an outlier. The ceremony was held in Radio City Music Hall, which holds six thousand people, and I have to admit I got no laughs at all for starting with “I’m Johnny Cash” – but it did seem the right thing to say in the circumstances. Anyway, things improved after that. An enormous number of happy graduates crossed the stage, and as always the female footwear was amazing.

  • A source of great pride, to be invited by Martin Edwards to join the venerable Detection Club. I actually wept when I received the letter out of the blue. I had made it as a crime writer!

    Because of Covid, I couldn’t be sworn in until October 2021, but it was worth the wait. Candles, a skull lit from within by red light-bulbs, and a solemn oath about not resorting to jiggery-pokery – absolute bliss.